Part IV - The Michel Method in Action
Music Production
Uses creative work and music production to show discipline, iteration, taste, and completion.
“No great thing is created suddenly, any more than a bunch of grapes or a fig. If you tell me that you desire a fig, I answer that there must be time.” - Epictetus
Maya pressed the stop button for what felt like the hundredth time that night. The same haunting melody cut off abruptly, leaving her tiny home studio in heavy silence once more. It was nearly 2:00 AM, and the glow of the computer screen etched the only light across her face. She ran her hands through her hair in frustration. The mix of her new song was still not right. She had been tweaking levels and EQ for hours, chasing the perfect sound that kept eluding her. In the last take, the vocals finally sat well in the chorus, but now the bass felt muffled. Fix one thing, another falls apart - it was like an endless game of whack-a-mole.
Exhausted, Maya leaned back in her chair and closed her eyes. Why can’t I get this? she wondered. The song, titled “Rise Again,” meant a lot to her - she had written it during a dark time, and it was supposed to be the emotional centerpiece of her upcoming EP. But at this moment, it just sounded… flat. She began to doubt herself. Maybe I’m just not cut out for this. Real producers would nail this mix. The thought was bitter. Most of her college friends had long since settled into traditional jobs and steady paychecks. Meanwhile, Maya was here, night after night, chipping away at a dream that sometimes felt as distant as the stars outside her window.
Her eyes drifted to a poster on the wall, a little island of inspiration amid the sound panels and cables. It was a poster of a legendary singer-songwriter, someone whose music had seen her through many rough days as a teenager. Below the artist’s image was a quote: “Every song is a little victory won from the darkness.” Maya remembered the first time she heard that artist’s breakout album - how the lyrics made her feel understood, less alone. It was that feeling that ignited her own passion to create music years ago. In high school, when life felt confusing, she’d sit at the old upright piano in the garage and pour her feelings into songs. Music had been her therapy, her friend.
As she stared at the poster, Maya felt a gentle tug at her heart. She asked herself a question she hadn’t visited in a long time: Why do I make music? Surely not to get millions of streams or to impress some record label executive - those outcomes would be nice, but they weren’t the real driving force. She made music to express what words alone couldn’t, to give comfort and joy to others the way that legendary album had done for her. This was her purpose as an artist: to create soundscapes of emotion that could resonate with people.
She took a deep breath and let that truth settle in. The frustration of the night’s mixing struggle began to ebb. The Epictetus quote about grapes and time, which she’d scribbled on a sticky note by her monitor, caught her eye. No great thing is created suddenly. Rome wasn’t built in a day, and neither was a great album. She realized she’d been trying to rush the process, or at least hoping it would come easier than it was. With renewed calm, Maya decided to call it a night and get some rest - a small act of kindness to herself and an acceptance that creativity can’t always be forced on a tired mind.
The next morning, sunlight and a fresh perspective poured into her small studio space. Maya made herself a strong cup of coffee and opened her notebook. On a blank page she wrote at the top: “Project Vision: Why this EP matters.” She spent a few minutes writing freely, reconnecting with the purpose of her project. She wrote about how each song on the EP represented a chapter of her life, and how she hoped listeners might find their own stories in the music. She even jotted down a visualization: an image of one person, somewhere out there, listening to her song and feeling a little lighter, a little more understood. That one listener - not the hypothetical millions - would be enough to make the effort worthwhile.
Grounded by this sense of purpose, Maya re-approached her work with a lighter heart. She sketched out a new schedule for herself. Instead of sporadic late-night marathons fueled by angst and caffeine, she planned consistent, healthier working sessions. Each weekday evening, after coming home from her part-time job at the music shop, she would dedicate two hours to the EP. She marked these on her calendar like important meetings. She also allocated longer blocks on Saturdays for more intensive work, like recording sessions or deep mixing dives. This was her commitment to persistence - showing up regularly, whether or not inspiration was dancing on her shoulder that day.
At first, sticking to the routine was challenging. There were days when she came home drained, tempted to skip the session and mindlessly scroll through her phone. But she remembered her promise to herself. On such evenings, she allowed a short break, maybe a quick walk around the block to clear her head, and then she went into the studio corner of her apartment and flipped on the equipment. Sometimes she would start by doing something simple, like organizing her files or updating track metadata, just to ease into the creative mindset. But inevitably, once she got going, momentum built. One idea would spark another. On a Wednesday when she felt particularly uninspired, she decided to just mess around with a new synthesizer plugin. That playful exploration birthed an intriguing sound that she later wove into an intro for another song. On a Friday when her brain felt fried, she spent the session simply listening to reference tracks-songs by artists she admired-analyzing their production elements. Even on tough days, she found there was always something she could do to move forward, however small. This steady persistence began to bear fruit. By the end of the month, she had made more progress on the EP than in the previous three when her schedule was erratic.
However, persistence alone wasn’t enough to elevate her work; she knew she had to level up her skills deliberately. Maya acknowledged that while she had a good ear for melody and emotion, her technical production skills had plenty of room for improvement. So she set out to add precision to her creative process. Each week, she chose one aspect of music production to focus on and improve.
For instance, one week she dove into tutorial videos on mixing vocals. She realized she’d been neglecting techniques like subtractive EQ to carve out space for the vocals in the mix. It was eye-opening. She practiced by re-mixing an older song of hers purely as an exercise, applying the new techniques, and compared the before-and-after. The difference was clear - the vocals sat more clearly above the instruments. Encouraged, she implemented these tricks on “Rise Again” and smiled as the vocals finally found their sweet spot without fighting the guitars.
Another week, she focused on sound design for her drum tracks. Percussion had always been a weaker area for her - her drum programming felt flat. She challenged herself to recreate the drum sound from a favorite track of hers, a punchy, lively beat from a hit pop song. It took patience, layering samples and tweaking compressor settings, but through this exercise she learned how subtle changes in attack or a hint of reverb could make drums pop. Those insights went straight into her own songs, adding new energy to the rhythm sections.
Maya also realized the importance of structure and workflow - precision in how she organized her project. She started maintaining a checklist for each song: recording done, editing done, mixing pass 1, mixing pass 2, etc. Instead of haphazardly jumping between tasks, she tried to follow a more disciplined sequence. This helped her stay focused and not overlook details. For example, she dedicated one entire session to cleaning up the tracks (trimming silence, correcting off-beat notes) before mixing, something she used to neglect in her eagerness to jump into creative effects. It wasn’t the most fun part of making music, but it paid off with cleaner, more professional-sounding mixes.
As her skills improved step by step, Maya felt a new kind of confidence. She was no longer just hoping her songs would turn out good; she was actively making them better through targeted effort. Still, the journey was far from smooth. Some nights, after hours of careful work, she’d listen to a track and feel it was still miles away from what she envisioned. In those moments, it was perspective that saved her from spiraling into discouragement.
One particular evening, after finishing a draft of the entire EP, Maya decided to do something bold. She arranged a small listening session with a few trusted friends who were both music lovers and honest critics. As they sat in her living room with snacks and soda, she nervously hit play. Hearing her work blasting through speakers to an audience - even a tiny one - was terrifying. Her heart pounded as each track played. She winced at parts she knew weren’t perfect and anticipated the worst.
But when the last note faded, the room was warm with supportive applause. “That was awesome, Maya,” said her friend Jake, “I really loved the lyrics on track 3.” Another friend offered, “The mix on the second song could use a bit more bass, maybe, but the vibe is so great.” They proceeded to give gentle feedback, mostly positive with a few useful critiques. To Maya’s surprise, she felt okay with the criticisms. In fact, she welcomed them - they were concrete, fixable things, not judgments of her worth. It dawned on her that her friends’ opinions were to help her, not tear her down. This was a stark contrast to how defensive and crushed she might have felt a year ago if someone pointed out flaws in her work.
That night, as she lay in bed, Maya reflected on how far she had come emotionally. Sharing unfinished work and hearing critiques without falling apart was a huge personal milestone. She realized this resilience was a result of the perspective she had cultivated. By regularly stepping back, she had learned to see her music more objectively. It was a creation she was crafting, not her entire self on the line. If a mix was bad, it didn’t mean she was bad - it just meant she needed more practice or another approach.
Perspective also came from recognizing that growth takes time. The Epictetus quote about the fig needing time to ripen became a mantra whenever impatience gnawed at her. Whenever she caught herself envying another artist’s success or feeling old because she hadn’t “made it” by mid-twenties, she would recall that many of her musical heroes had laborious journeys. One of them didn’t release their acclaimed debut album until age 30 after a decade of obscurity. Another had been dropped by a label before finally finding their audience independently. These reminders put her own timeline in context; she was on her way, and everyone’s path is unique.
Armed with this healthier mindset, Maya gave herself permission to enjoy the process more. Some days, she would step away from the EP entirely to jam on her guitar or write a fun little ditty unrelated to the project - not as procrastination, but as a way to keep her love for music alive and not treat it only as a high-stakes job. These breaks actually recharged her creativity for the EP and prevented burnout. She also began journaling once a week about her progress, noting not just what she did, but how she felt and what she learned. In those pages, one could see her self-criticism slowly turn into self-compassion and pride in incremental progress.
Finally, after months of steady work, the EP was complete. Maya titled it Phoenix, a symbol of rebirth, which is exactly what the process felt like for her. With a mix of excitement and nerves, she released the five songs on various streaming platforms and promoted it through her social media and local music circles. She didn’t have a big record label’s marketing budget; she was relying on word-of-mouth and the small fanbase she had built over the years playing open mics and sharing demos online. She decided to mark the occasion with a simple release party at a local cafe that sometimes featured indie artists. It wasn’t a formal concert, more like a listening gathering where she could play a couple of the songs live on her keyboard and speakers would play the recorded tracks too.
To her surprise, more than thirty people showed up - friends, acquaintances, and a few strangers who had heard about it through a friend of a friend. As she performed, she scanned the modest crowd. There, near the back, she noticed a young woman swaying with eyes closed, tears catching the café’s string lights as they rolled down her cheeks. It was during “Rise Again,” the very song that had given Maya so much trouble. Maya’s voice caught for a moment, realizing that her music was touching someone deeply. She regained her composure and continued, pouring all the emotion of her journey into the final chorus.
Afterwards, that young woman approached Maya, a bit shyly. “I just wanted to say thank you,” she said softly. “That song… I really felt it. I’m going through a tough time, and it was like you were telling my story.” Maya felt a lump in her throat and managed to reply, “I’m so glad it connected with you. That means a lot to me.” In that moment, every late night, every frustration, every ounce of persistence was validated. Her purpose was real, standing right in front of her in the form of a person moved by her music.
That night, as she packed up her keyboard, Maya reflected on her journey. She hadn’t sold out a stadium or topped any charts - those things were uncertain and still distant. But she had achieved something more intimate and, in many ways, more important: she had grown as an artist and as a person. She had proven to herself that she could overcome self-doubt and continue when things got hard. The mental toughness she built through purpose, persistence, precision, and perspective not only resulted in a finished EP she was proud of, but also set the foundation for the next chapters of her musical adventure. As she locked up the empty cafe, she hummed a new melody that had been dancing in her mind - perhaps the beginning of the next song, and with it, the next test of her will and heart. But she was ready for it. After all, no great thing is created suddenly, but with time and dedication, her grapes were starting to turn into wine.
Applying the Michel Method in Music Production: Maya’s story shows that behind the art we love, there is often a quiet struggle and the same kind of mental discipline we associate with athletes or entrepreneurs. Purpose is the beating heart of any creative endeavor. For Maya, reconnecting with the meaning behind her music - to express herself and touch others - provided a well of motivation that money or fame alone couldn’t supply. Similarly, many great musicians and producers are driven by a message or passion; that sense of mission can sustain you through the long nights and creative blocks. When you have a clear purpose for a project, you’re more likely to see it through because it matters on a deeper level.
Persistence in the arts means showing up consistently, practicing your craft, and finishing what you start. It’s often said that success in creative fields owes as much to grit as to talent. By carving out a regular work routine, Maya built momentum and treated her music like the important work it was. Creative inspiration can be fickle, but by persisting with her schedule, she learned to generate inspiration through action. Even when progress was slow, each small effort was a brick in the foundation of her EP. Many famous composers, writers, and producers have daily routines and swear by the habit of working whether or not they “feel inspired”. This persistence separates those who merely dream from those who actually create a body of work.
Yet persistence must be paired with precision to truly improve one’s artistry. In music production, that precision is two-fold: honing your technical skills and refining the details of your project. Maya embraced a mindset of continuous learning - actively seeking out knowledge on mixing, sound design, and process optimization. In doing so, she was engaging in deliberate practice, much like an instrumentalist running scales or a singer doing vocal exercises to target weaknesses. She also structured her workflow meticulously, treating the production process with the same care an engineer might treat a design project. This attention to detail and commitment to growth ensured that her hard work translated into better songs, not just more songs. For anyone making music (or any art), allocating time to practice the craft and refine technique pays off in the quality of the final creation.
Finally, Perspective is what keeps a creative soul resilient and grounded. The music industry (and creative industries in general) can be rough: criticism, rejection, and comparison are constant. Without perspective, it’s easy to get discouraged or to tie your self-worth to your latest output or the fickle approval of others. Maya’s ability to detach her ego from her work - to see feedback as useful input rather than a personal attack - was a breakthrough. By remembering that “no great thing is created suddenly” and that every artist’s journey is a long one, she could resist the urge to give up when recognition didn’t come immediately. Perspective also involves taking care of your mental well-being: stepping back when needed, remembering why you love the art in the first place, and realizing that improvement comes with time and experience. This mindset allowed Maya to turn moments that could have been crises (like the daunting feedback session) into opportunities for growth and connection.
For music producers and artists, the Michel Method reinforces that making great music isn’t just about raw talent or having the best equipment - it’s a mental game as much as a creative one. Purpose keeps your art authentic, persistence gets the work done, precision elevates the quality, and perspective sustains you through the highs and lows. By cultivating these, you set yourself up not only to create better art, but to enjoy the journey more and handle whatever challenges come your way.
Tool: Michel Method Creative Workflow
If you’re an artist or music producer looking to apply these principles, consider structuring your next project with the Michel Method in mind. Here’s a step-by-step creative workflow that incorporates purpose, persistence, precision, and perspective:
Define Your Purpose (Project Kickoff): Before diving into production, clarify the vision and intention behind your project or song. Write it down in a sentence or two. Ask: What do I want to express or achieve with this music? Who is it for? Why does it matter to me? This could be as simple as “I want this song to make listeners feel empowered after heartbreak,” or “This instrumental track is to capture the tranquility of dawn.” Post this purpose statement somewhere visible in your studio. It will be your North Star, guiding creative decisions and fueling you when motivation wanes.
Set a Persistent Schedule (Planning & Milestones): Map out a realistic timeline for your project with milestones, and commit to a regular work schedule. Break the project into phases - songwriting/composition, arranging, recording, mixing, etc., and assign target dates to each. Then, establish your routine: it might be “I will dedicate 3 evenings a week and Saturday afternoons to work on music.” Consistency is key - treat those slots like appointments you can’t miss. Use calendars or productivity apps to track your sessions and progress. Hitting milestones (like finishing all recordings by a certain date) will give you small victories to celebrate and keep you pushing forward. And when the inevitable life hurdles come up, adjust instead of abandoning the schedule: missed a day? Reschedule it, but don’t cancel it outright. Persistence is built one day at a time.
Practice with Precision (Execution Phase): As you work through creating your music, be deliberate about improving quality and your skills. Each week or unit of the project, pick a focus area to refine. It could be a technical skill (e.g., improving your mixing of vocals, mastering a new synthesizer, tightening your rhythm timing) or a part of the song that needs extra work (e.g., writing a stronger bridge). Dedicate some time to learning or practice - watch tutorials, experiment with different techniques, or seek feedback on that specific element. Additionally, organize your workflow: use templates, checklists or a consistent file naming system so you don’t waste time in chaos. For instance, you might create a mix checklist: levels balanced, EQ applied to each track, reverb set, listen on multiple speakers, etc., and go through it methodically. By infusing precision into your process, you ensure that your persistence actually leads to polishing your art, not just repeating the same mistakes.
Maintain Perspective (Review & Feedback): Throughout the project, especially when you hit a wall or complete a draft, step back and seek perspective. Schedule breaks between phases - for example, after you finish recording, take a day or two where you don’t listen to the tracks, then come back with fresh ears for mixing. Consider creating a small feedback loop: once you have a rough mix, play it for a trusted friend or fellow musician and listen to their impressions with an open mind. Remind yourself that feedback is about the work, not you personally. If external feedback isn’t available, simulate it by switching contexts: play your song in the car, or on headphones during a walk, and note how you feel hearing it away from the desk. At the same time, keep reminding yourself of the big picture. Recall your purpose - it can help emotionally detach from nitpicking every flaw. If you find yourself frustrated and thinking “this song will never be as good as I want,” recall Epictetus’s wisdom: great things take time. Maybe this project is one step of many in your growth. It’s okay if it’s not “perfect.” Aim for meaningful and done. By the time you’re nearing completion, conduct a final perspective check: listen to an older piece you made and recognize how far you’ve come in comparison. This will boost your confidence that you’re progressing, regardless of how the world reacts to this particular release.
Release and Reflect (Project Completion): When you finish the project and put your music out into the world (or at least declare it finished for now), take time to reflect on both the outcome and the journey. Archive everything properly (back up your project files, document settings) as a professional habit. Then, write in a journal or talk with a mentor about what you learned during the process. What went well? What would you do differently next time? How did applying purpose, persistence, precision, and perspective help you? This reflection consolidates your growth. It also sets you up with insights for your next project. Importantly, acknowledge yourself for persisting and completing the project - that’s an achievement many aspire to and never reach. Treat any external success (streams, praise, reviews) as a bonus, not your sole validation. The real success is that you stayed true to your purpose and saw it through.
By following this Michel Method Creative Workflow, you’re effectively training your “creative muscles” and “mental muscles” in tandem. Each project then becomes not just a collection of songs or pieces, but a practice ground for your personal development. Over time, you may find that writer’s block visits you less often, or when it does, it doesn’t scare you as much. You’ll have faith in your ability to push through, craft carefully, and maintain your equilibrium as an artist. In the marathon of a creative career, those who pair passion with mental toughness are the ones most likely to endure and ultimately make their mark. Whether your audience is one person in a café or millions around the globe, the satisfaction of creating something meaningful and authentic is within your reach when you apply Purpose × Persistence + Precision + Perspective to your art.